Saturday, November 18, 2017

Box, vol. 3

(All rights belong to their owners. Images used here for review purposes only.)

Box, vol. 3, by Daijirou Morohoshi, Grade: A
Finally, we are BACK. Unfortunately, this is the end of this mini-series, so we won't be back for long. Recap: 7 people in Japan have received invitations to something that's not immediately all that clear. They all arrive at a park and discover a big cube at the far back. Each of the 7, Kouji, Megumi, Chieko, Shinichirou, the Tani husband and wife pair, and Makoto, received a puzzle specific to them that needs to be solved in order for doors in the cube to open and let them inside. They are joined by the mysterious Kyouko, and led by the evil being that looks like a schoolgirl (and is never identified by a name other than Akuma (devil)). Once inside, the only way back out is to solve more puzzles, but there is supposed to be a reward if they survive that long. However, there's also a penalty for getting the major puzzles right - the loss of the thing they think they most want to give up. Kouji is a school boy that resents his mother's obsession with his deceased older brother; his sacrifice is the disappearance of part of his house and his mother's head. Megumi is also a school kid, that thinks he was born to the wrong sex, and he loses his genitals. Chieko is a psychic that gives up part of her brain (and her shoes). The Tani's are tired of life and are merging into one body. Shinichirou and Makoto are the exceptions. Shinichirou is an architect wanted by the police for designing buildings that have collapsed, and he wants to cheat his way out of the game, while Makoto is an amateur folklore researcher that knows enough of the cube's history as to be terrified of playing the game at all. Kyouko is the unknown wildcard who seems to have the same control over the cube that Akuma does, but we're never told why. At the end of volume 2, the Tani's have given up and were swallowed by the denizens of the cube. Makoto accidentally got cut in half and turned into a denizen monster. Shinichirou cheated by voluntarily giving his puzzle and ticket half to Kyouko, turning her into a full-fledged player in the game, and him into another denizen monster. The surviving players, Kouji, Megumi, Chieko and Kyouko make it past the first stage and into stage two, which seems to be an endless staircase. Akuma is angry with Kyouko's meddling, and the Shinichirou and Makoto monsters are trying to find their way deeper into the game.

(Splash page for the Escher Staircase chapter.)

We start with the 4 players standing in the entry room of stage two, trying to decide whether to go up or down the stairs. Kyouko is watching the door behind them, and is concerned that Shinichirou is able to force the door open. She gets Kouji to fight the Shinichirou monster (Shin), while Chieko and Megumi start down the stairs unaware that the other two aren't following them. Shin forces Kouji and Kyouko to retreat up the stairs, and Akuma lets Makoto-monster into the room and it eventually makes its way downstairs. Shin wants the puzzle cube Kyouko holds, so she and Kouji play "keep away" for a bit, but eventually Shin simply attacks the boy, who rips off one of his arms before throwing him down the stairs. Kouji and Kyouko go up, while Makoto and Chieko go down, and soon they run into each other in the middle of the stairs.

(Kouji fights Shin-monster, while Megumi and Chieko watch helplessly. Kouji discovers there's nothing on the other side of the wall.)

Shin catches up to them and attacks Kouji again, this time causing the boy to go through the side wall and almost out into empty space. The walls have gotten crumbly again. Megumi pulls Kouji to safety, and Chieko discovers the Makoto monster and throws it at Shin, buying them a little time. Kyouko realizes that she has to solve her puzzle box now, but Shin returns and fights her for it. She gets the box open, revealing a glass lens and a strangely-cut piece of paper. The inner wall tumbles out of the way and the group discovers that they're on Penrose's Stairs (an optical illusion made famous by M. C. Escher). Kyouko tosses the now-empty box away, and Shin rushes after it. He tries manipulating the box in a vain effort to become human again, but does manage to cause the staircase to turn normal, and dropping Chieko off the now-bottom of the stairs. Megumi grabs her, and Shin accidentally returns the stairs to their infinite loop, saving Chieko before she slips out of Megumi's grasp. Kyouko understands what's happening, and she has the others get the box back for her. She opens and closes it a few times, causing a large pedestal to rise from the depths, atop which is Escher's Belvedere. However, the base of the Belvedere is too far away to easily jump to. After some thinking, Kyouko holds up the lens so that through forced perspective the top of the pedestal looks closer, and she then takes a step forward, magically ending up at the top of the column.

(The Penrose staircase, with the inner wall gone. The pedestal with the Belvedere at the top can be partly seen between the forms of Chieko and Kyouko.)

Kyouko is happy, and is about to use the same trick to have the other three come after her, but Akuma is getting angry and she causes part of the staircase to collapse to make the game more challenging. The thing is, the gap in the stairs between Chieko and the next intact section almost perfectly matches the strangely-cut piece of paper Kyouko got from the box. She holds it up, closes one eye, and to her it looks like the stairs continue down from where Chieko is standing to the next part of the flight. Kyouko tells Chieko to have faith and just start walking. The girl does so, and the illusion holds long enough for her to reach safety. Shin tries to follow, and Kyouko drops him from the illusionary steps, but he scrambles into a niche in the wall and waits. Kyouko uses the lens trick again to bring Chieko to the pedestal. Akuma messes up the remaining walls and stairs further, and Shin attacks Kouji, so that Megumi is too far away for the paper or lens illusions to work, and Kouji is on an outcropping that is about to collapse under his own weight. Kouji leaps for the pedestal, but he can only clear half the gap before starting his descent. Kyouko grabs a ladder propped along side the Belvedere and swings it out over the chasm. Again, it's not long enough to reach the boy, yet the illusion of forced perspective and pure faith is enough to make it LOOK like the end of the ladder is within reach. Kouji reaches, grabs the last rung, and makes it to safety. This just leaves Megumi, stranded in a niche in the wall. Kyouko pulls out the lens again, and positions herself so that through the lens, Megumi looks to be as close to her as Kouji is. She has them reach their hands out, and moves around so that the lens makes it seem that the two boys are really holding each other's hands. She yells for Kouji to pull. He does so, and yanks Megumi over onto the pedestal next to him. Then they notice that Kyouko had screwed up a bit, leaving Megumi an inch taller than Kouji.

(Kyouko uses the paper from the box to make an optical illusion, which Chieko can then use to go from one part of the staircase to the other.)

The Shin monster jumps across the chasm and onto the ladder, and he chases Kyouko into the Belvedere. However, he just can not figure out which part of the illusion is open air, and which part is solid column. He keeps bashing into the column parts, allowing Kyouko to scramble to the top of the dome. Shin follows up after her, as Kyouko pulls out the lens. To her, looking through the lens, Shin looks tiny, so she quickly grabs the tiny Shin monster by the back of the neck and tosses him into the chasm, and he falls into the abyss never to be seen again.

Akuma talks a bit about how the puzzles in the Box have evolved over time as humanity came up with new ones, then Kyouko asks for her reward for solving her part of the puzzle. Akuma tosses the card at her, but Kyouko fumbles it and it lands at Akuma's feet. Kyouko distracts the school girl as she picks the card up, not realizing that Kyouko had actually switched cards - Akuma is now holding Makoto's card and ticket stub, and the Box acknowledges Akuma as being one of the current participants in the game. The Belvedere comes tumbling down, and a new door opens up in the pedestal beneath it. Megumi, Kouji and Chieko go through the door, and when they look back at Kyouko, they gasp in shock. The woman asks what's wrong, and pulls out a mirror - her eyes and nose have disappeared. This is her sacrifice to the game, and she's pretty happy about it, because now she'll save a fortune on makeup. Inside the next room is a stand holding a blank Rubik's Cube; all of the faces are white. Since Akuma is now a player, she insists on being the one to solve this puzzle. But, Megumi grabs the Cube away from her, saying that he has this one. It's nothing that a tournament grand champion couldn't handle. The boy recalls the cube he'd gotten in the mail, and that when he'd solved it, a weird logo mark had appeared on one face. He closes his eyes and starts turning. After a few minutes, the logo mark shows up on this cube, and the walls come tumbling down again.

(Megumi solves the blank Rubik's Cube.)

Akuma congratulates them on making it to the end game, tossing Megumi's reward card to him. Everything inside of the Box disappears, leaving the company floating in mid-air, face to face with a second big cube. This is the final goal, "the Box in the Box." This is where the ultimate reward awaits them, but there's a condition, and still a chance for everyone to betray the others, if they wish. Akuma decides to give them the full history lesson. A very long time ago, there was a force that roamed ancient Japan, feeding on "inga" (which translates to "fate" or "karma"). After thousands, or tens of thousands of years, the force was somehow trapped in the giant Box that the group is now inside. In order to keep feeding, the force would move the Box to different parts of the country, and lure people inside. However, the force doesn't eat people, just the karma that surrounds them. Unfortunately, once inside the Box, humans tended to panic and kill each other in an attempt to get out, or they'd die of despair. To deal with this, the force started implementing puzzles as a way to give its victims a goal and a way to locate an exit. The force copied the puzzles that its victims knew about, meaning that there were always newer, harder puzzles to solve, but with the increasing number of humans unable to get out and turning into monsters, there became a need for a "navigator," which is how Akuma was created. The thing is, the force changes people's entire lives, wiping out memories and altering reality, and that new reality has to be reflected outside when the "winner of the game" leaves the Box. That means that reality changes outside as well. Either that, or the winners are deposited in a parallel reality that matches their heart's desire. Either way, when you agree to the wish the force is going to grant, you really need to be sure that that's something you can live with for the rest of your life.

(Akuma is left holding the final card.)

The group is instructed to look at the fronts of the cards they've received for solving their parts of the puzzle, and if that's the thing they're willing to give up (and let the force consume it), then they are to put their card in the middle of one face of the end goal Box. Megumi has the Tani's card, and he gives it to Kouji to attach to the bottom face of the Box. Megumi, Kouji, Chieko and Kyouko each look at their own cards, and after thinking hard for a few seconds, they put their cards on one each of the remaining faces of the Box. Akuma, though, refuses to put Makoto's card in place, claiming that while she'd been forced to participate in this game, she has no interest in leaving the Box. There have been many games in the past where there were no winners, and it doesn't bother her to leave this group trapped in the Box as well. Which is why she tried interfering with Megumi's solving the Rubik's cube. Her out is that she'd never been part of the game from the beginning. Kyouko then pulls out Makoto's crossword puzzle, where he'd had to write in the names of each of the participants. Kyouko had thought it was important to "correct it," and she'd replaced Shinichirou's name with her own, and scribbled out "Makoto" and written in "Akuma." While Akuma struggles over how to deal with this twist, the end goal Box starts advancing on her. Akuma protests, saying that she'll put her card in place, but it's too late - end goal Box squishes her up against the inside of the outer Box. When end goal Box pulls back, the last card is stuck to its side.

(End goal Box doesn't like cheaters.)

One face of the end goal Box opens, and the group is bathed in light. Time passes, and Megumi, Kouji and Chieko find themselves back outside in the park as the sun is going down. Kouji feels like he's lost something really important, but the memory of what it is quickly fades. He checks with the other two - they all remember entering the box and solving the puzzles, but not what happened at the end. Then, for some reason, they all start crying uncontrollably. They find Kyouko, who seems to be suffering amnesia and can't remember her own name, or who the others are. Pretty quickly, we learn that the other three's memories have been altered to match their new realities - Megumi has always been a girl, Chieko has never had psychic powers, and Kouji has always been Kouichi. They return to their homes, and the new realities hold there, too. Chieko's older sister is the one that loves fortune-telling. Megumi is the second-older sister that keeps "borrowing" the clothes of her younger brother. And Kouichi has always been the oldest son in his family ("-ji" means "two," or "second child"; "-ichi" means "one," or "first child." It's built right into the name in Japanese.)

(Last pages. The last puzzle asks "Who is this girl?" Answer: Megumi.)

The story ends with a "where are they now" montage. Kouichi is moderately smart, but highly gifted at sports. He's very popular with the girls at school, but he's dating Megumi. In two years, Megumi wins the Rubik's Cube Nationals tournament. She was accepted to Tokyo University, but opted to enter the same university that Kouichi goes to. Chieko becomes more outgoing and social; after graduating high school, she was accepted at a technical college, but she remains good friends with Kouichi and Megumi. No one knows what's become of Shinichirou, Makoto, or Akuma. Kyouko remains a mystery, and her fate is also unknown. As for the Box, it's still collecting puzzles and toys, and remains "out there somewhere."

Summary: I love the puzzles in these books, and the way Morohoshi works Escher into the main storyline in this volume. The optical illusion solutions are fun, and overall it's just an easy read. The character designs aren't all that great, but that's just Morohoshi's style. The rest of the art is good, and the story moves forward fast. The ending is a bit weak, since the 3 surviving characters get their wishes that had been established at the beginning, but otherwise the finish is fairly satisfying. I recommend Box to anyone that likes Japanese suspense and mild horror.

Friday, November 17, 2017

Coke Olympics

In the middle of Coke's One Piece Halloween trick-or-treat bag promo, they were also trying to get people to go to the 2020 Tokyo Olympics. Collect 20 proof of purchase seals, and you get entered into a drawing for a trip to the Olympics, for 16 couples, 32 people total. Or, enter with 20 seals to try to win one of 320 portable projectors for your smartphone.  Your chances are slightly better with the 4 seals for one of 19,664 pairs of sunglasses.

The back of the postcard has space for taping down the seals. And there's absolutely NO chance of the postman pealing off loose seals to use himself.

Naturally, in Japan, there's no understanding of price performance. All their bottle sizes only have one seal each, and the seals are all worth only one point apiece. But, 500 ml = 93 yen (90 cents USD); 1 liter = 158 yen; 1.5 liter = 188 yen for Coke Zero, 198 yen for Coke classic. Maybe if you really drink a lot of cola, you may want to get the bigger bottles. But if all you want is to enter the contest, you're going to get the smaller bottles and save yourself $10 per postcard.

Thursday, November 16, 2017

What makes you beautiful?

Text in the window of a beauty salon:

"What makes you beautiful?
For beautiful eyes, look for the good in others;
for beautiful lips, speak only words of kindness;
and for poise, walk with the knowledge that you are never alone"

And if that doesn't work, come inside and we'll fake it.

Wednesday, November 15, 2017

Restored Jizo

This jizo (stone statue) is located near the apartment. Over a year ago, someone hit it with a bat or something, smashing the head off. It took someone else several weeks before they got around to putting the red shower cap over the rebar that had been sticking out of the top, to hide the damage. Finally, the statue received a new head shortly before I took this photo. It looks like the locals plan on taking better care of it now.

During one of the bigger typhoon warnings a few weeks back, someone took the precaution of disassembling the entire structure, wooden frame walls and everything, laying the pieces flat on the sidewalk so it wouldn't be damaged by the strong winds. First time I'd ever seen that done, and of course it was when I didn't have my camera with me. The next day, after the typhoon missed us, it was all reassembled and back in place again, so I missed the shot. However, when the statue was disassembled, the head was missing. I assume that it had been in safe storage during that time.

Tuesday, November 14, 2017

Aug.-Nov. articles in the media

Here's the batch of articles to show up in the media from Aug. to Nov., regarding anime, manga and related stuff.

Japan Times

'Fireworks, Should We See It from the Side or the Bottom?': Will Japan fall in love with another pair of animated teens?

Anime group launches tourism pilgrimage inspired by Shikoku Henro

'Eureka Seven Hi-Evolution 1': Nostalgic flashbacks get a bit confusing

First permanent Sailor Moon store opens in Harajuku

'One Piece': Manga still popular, influential after two decades

Megahit anime 'Your Name.' to get live-action Hollywood remake

Japan's Health Ministry uses Gundam robot to battle overuse of antibiotics

Hokkaido uses manga to educate people on how to react to North Korea missile attack

Gundam towers over a transforming Tokyo

Daily Yomiuri

40 years later, Moto Hagio resumes an epochal story

Grand finale of ‘Little Witch Academia’ was magical

Peleliu: Guernica of Paradise review

Creator's zeal for Lupin the Third still shines 50 years on

Dien Bien Phu review

Mangaka’s life transformed after son’s birth

Bright notes of despair as disaster looms

Koi to Uso review

Hiroshi Aoshima, Girls' manga composer's, source of inspiration

Karakai Jouzu no Takagi-san review

Exhibition looks back on history of Shonen Jump

"Ms. Kaguya wants him to confess his love for her" review

‘Fairy Tail’ author looks back on adventure

Squad leader's one-day leave review

Made in Abyss review

Nyx’s Lantern review

Love and Lies reviews

Golgo 13: A record-breaking hero


'Yo-Kai Watch' movie No. 4 set for release on Dec. 16 (The clan of Poe)

Live-action ‘Real Girl’ film to open in 2018 starring Ayami Nakajo

Leading anime screenwriter Okada makes directorial debut

Long line greets opening of first Gundam Base shop in Japan

Stage adaptation of 'King of Prism' opens in Osaka, Tokyo in autumn

Stamp rally draws pilgrims to 'Yuri!!! on Ice' city in Saga

The French fall in love with Chi the animated kitten

'Saint Seiya' gets new CGI remake with Hollywood screenplay

Sumitomo to launch 'Dan-Machi’ game in U.S.

'Golden Kamuy' manga slated for anime TV adaptation

Feature film adaptation of 'Macross Delta' takes off

JR giving facelift to Anpanman car train in October

First film in ‘Eureka Seven’ trilogy released in Japan

‘Fireworks’ anime bus moves fans in Asahi, Chiba Prefecture

Godzilla’s face revealed in new teaser for first anime movie

‘Infini-T Force’ to make leap to the big screen in February

'Sailor Moon' gear enables you to look the part of world heroine

Exhibit featuring anime director Makoto Shinkai coming to Tokyo

‘Rurouni Kenshin’ restarts after nearly 2-decade hiatus

Chitose airport animation festival to kick off on Nov. 2

Super robot Mazinger Z reveals its form in film trailer

Ring in 2018 with a ‘One Piece’-themed ‘osechi’ meal box

Sailor Moon store in Tokyo draws child fans, adult fans alike

'Poupelle of Chimney Town' anime movie in development

'Sword Art Online' getting two new TV adaptations

Unretired anime guru Miyazaki reveals title of new anime

Showa Era anime heroes return with modern updates

'Gundam' mascot Haro comes alive as AI-installed talking robot

Season 3 of 'A Certain Magical Index' set to air in 2018

'Fist of the Blue Sky' anime OK'd; manga series enters 2nd season

Extended version coming of anime hit 'Corner of the World'

Monday, November 13, 2017

Bouz Meets Fes, Nov. 11,

The Buddhist Honganji temple periodically holds what they term "Bouz Meets." "Bouzu" means "Buddhist priest," and the idea is to invite people into the temple and let them mingle with the priests, ask questions, or get involved in various family-friendly activities. I saw the sign in front of the temple several days earlier, so I knew that the next Meets was going to be on Saturday. Friday afternoon, as I was going in to the English school, I passed by Honganji, and they had the schedule board up already. I quickly glanced over the musician performers, and there wasn't anyone I had any immediate interest in. Then, one name caught my eye and I had to double-check a few times to make sure I wasn't mistaken. And yes, Bon Deluxe, my favorite Japanese SKA band in Kagoshima, was going to play at 2:50 PM the next day. Unfortunately, I had a class booked from 2 to 3 PM, but I was hoping I could start a few minutes early, and get finished early so I could start my break right away.

I get home Friday afternoon, and I'm pretty excited. I check my class schedule for Saturday, I compare it to the Meets schedule, and I think I can pull this off. Then, at about 9 PM, I notice some "ticking" sounds coming from one of the windows. It takes me a few minutes, but eventually I go to the window and open the curtains, and yes, it's starting to rain. At 10 PM, the rain is coming down hard. So, of course there's now a chance that Bouz Meets will be cancelled. On the other hand, the music stage is usually set up in the temple's parking lot, but there's nothing that says they couldn't move things indoors (the temple has a big interior).

Saturday morning, the rain has ended and the clouds are gone again. I try to get out of the apartment early for food shopping for the week and to have time to get to Honganji and look around before the class is to start. But, things work against me and I get out the door a lot later than I'd wanted. I arrive at Honganji at 1:50 PM, and I pretty much have to keep going to get to the school on time (it's only 4 blocks past the temple, so I get there with a few minutes to spare). The first thing I notice is that there's no stage outside. They have food booths, an outdoor bar, a nursing station, and a flea market, but no stage. Not a lot of people there, either, maybe 30 or 40, mostly families with kids, but not the kind of crowd from past years. The second thing I notice is Nonki, a surf music guitarist I've met a few times before. He tells me he's going to be playing bass for Bon, and that they'll be starting at 2:40 PM, 10 minutes ahead of schedule. I groan, then keep running to get to work.

The sign for the outdoor bar.

Buddha likes his drinks, he does.

(The back of the Always Burger truck. Big Abe likes his burgers, too.)

I get to the school, teach the lesson, and things run long. Instead of finishing at 2:45 like I'd been hoping, I don't get out the door until 5 to 3. I hit the ground running, and race the 4 blocks back to the temple. I reach the parking lot and I can hear music being piped out to the PA system. I run up the stairs, and find the band inside, just finishing up one song and breaking into another. I whip out my camera and start recording, and put up a heroic battle to keep from wheezing into the microphone and shaking the camera all over the place. It takes a couple minutes to actually get my breathing back to normal. That partly explains why the video is so shaky.

(The main temple room. The tables to the left are for families that want to make their own prayer beads. To the right is the information table, book sales, and a rack of kimono for anyone that wants to play dress-up and have their photos taken.)

(The prayer beads table.)

(Bon on lead, Nonki is to his right.)

Bon always plays the same songs, so there's no reason to keep putting videos up on youtube after every single performance. However, it took me just a couple seconds to talk myself into recording the remaining part of the set for my own enjoyment. I caught the next two songs, then the battery went out on the camera. I'm debating whether it's worth buying a backup battery specifically for these kinds of situations, which only happens maybe once or twice a year. Sigh. Anyway, Bon played 2 more songs after that, and I was perfectly happy to just bop along with the music. And, I ended up uploading the video and a few of the photos to Facebook, anyway.

They finished at 3:20 PM, and then quickly moved their gear off stage to make room for the next group.

Which was a traditional Buddhist troupe. The music was very slow and dirge-like. I took a few pictures for the blog, then went outside to get a kebab sandwich for $6 for lunch. After that, I hung out at a coffee shop until my next lesson was to start an hour later.

Overall, it was a good day. The weather turned out to be nice after all, and I was able to listen to some SKA. And the kebab and coffee were good, too. I would have liked to have talked to the Bon DX band for a couple minutes, but that didn't happen this time. Then again, we're closing in on the Christmas holiday events stretch, and I expect they will play at least once up at Amu Plaza between now and the end of the year. I'll be patient.

Sunday, November 12, 2017

Marugoto Fair, Nov. 10-12

I've mentioned the "marugoto" fairs before. They're food and produce markets featuring stuff from a particular region. I'm not sure if this one was specifically for Tanegashima, or if it was for the larger area of Kagoshima prefecture, which includes Tanegashima island. Anyway, they have these marugoto markets every few months, and sell tea, mikan (Japanese oranges), shochu, honey and other foods. This one ran from Nov. 10th to the 12th.

Examples of some of the mikan preserves, jellies and fruit sauces available.

The marugoto markets also usually have a live stage. I'd gone up to Amu Plaza on Friday to see if anything was going to happen there over the rest of the weekend, and saw the crews setting up the tables and announcement boards. I found the schedule and checked whether anything interesting was going to be happening for the rest of the day, or on Saturday. For the most part, the activities on Friday and Sunday were just PR stunts for advertising travel around Kagoshima, and some giveaways. But, there was one band, "A Taste of Honey," that was supposed to play twice on Saturday. I had classes at the English school Saturday afternoon, but I'd be able to swing by the department store for the 10:30 AM performance, at least. So I went home and did a web search on the group's name, and only came up with hits on a black female duo that was big in the U.S. from 1971 to the mid-80's. I didn't think they'd be in Japan for something like this. That only served to increase my curiosity.

I got to Amu Plaza a little bit after 10:30 AM, and discovered that A Taste of Honey is a brass jazz band from Tanegashima. They did a soft instrumental version of Sinatra's "Fly Me to the Moon," and other western covers. Nothing really worth recording or sticking around for. I took a few photos for the blog, got some free sample coffee from Kaldi in the basement of the department store, then finished my food shopping for the weekend and returned home to get ready for work at 2 PM.

As mentioned above, I already knew that the Sunday stage events were going to be just PR stunts, but I did want to get some more photos for the blog. I got back to Amu Plaza at 2 PM, and was surprised to hear music as I approached. The schedule board didn't have anything listed for live music on Sunday. I was up on the second floor, and could look down at the stage from there. I didn't recognize the singer at that angle, but he was singing Japanese folk songs, and I didn't hang around long. I went to Seattle's Best Coffee, got a cup of coffee and a blueberry muffin, and worked on some Sudoku puzzles. At 3:30, I returned to the stage for the next PR event, and the guy was still singing. I got closer, and finally realized that he was Kodai, a singer/guitarist from Amami who often MC's the marugoto markets. I also know that he's not particularly approachable when he's working like this, so I just took a couple more photos, and waited a little longer.

I didn't catch this mascot's name, but he's representative of a kind of a generic Edo-era bureaucratic type. Maybe sort of a middle-level samurai. He led a jan-ken (rock-paper-scissors) game with the senior citizens in the audience for a 1,000 yen ($10) certificate for the foods sold in the market. That seemed rather paltry. I didn't stick around to see who won. The market was going to be closing in an hour or so, so I went back home to work on the computer. Friday and Sunday were quiet, but Saturday was somewhat better...